RWB Workshop Poem of the Week – Feb 14

Poem of the Week 2/14/2017

Zorida Mohammed

Vegetable Anyone?

Sumaria settles her tray on her head calmly
like one of her cows swishing flies
off her hind quarters and heads out to sell.

In the carefree quiet after school hour,
when the day is turing in on itself
morning glory like,
my sister and I are dawdling on Back Street
on our way to Mactab
when we run into her.

We ask to see what is on her tray.
When she resists,
we tug
until she lowers it.

Something about her with that tray
on her head, a girl my own age,
bare feet like me,
with old tomatoes, squingy eggplants,
and other bruised things
caused such a mixed-up primal feeling
to rise up in me
I didn’t know if to cry or hit her.

Instead, I said something mean
and ran off with my sister.

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GV – Irish Music plus The Poets of the Week

Join the Red Wheelbarrow Poets for music and poetry at 7:00pm on Friday, Feb. 24. Musical guest will be the duo of BRENDAN FOGARTY on Irish pipes and tin whistle and FIONA CONWAY on vocals playing Irish traditional music. Featured poetry includes a book launch for POEM OF THE WEEK 2016, featuring several of the poets featured in the new book: ZORIDA MOHAMMED, JOHN BARRALE, WAYNE L. MILLER, and MARK FOGARTY. An open mic follows.

$8 cover includes coffee/tea, dessert

GainVille Café
17 Ames Avenue
Rutherford
201-507-1800

WCW – Arthur Russell

Wednesday, March 1, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

ARTHUR RUSSELL lives in Nutley, New Jersey, where he works as a lawyer. He is the winner of both Providence Fine Arts Work Center and Syracuse University fellowships as well as Brooklyn Poets’ YAWP Poem of the Year for 2015 and YAWPER of the Year for 2016. His poems have appeared or are forthcoming in the Paterson Literary Review, Prelude, Yellow Chair Journal, Muse-Pie Press, Shot Glass Journal, Brooklyn Poetry Anthology (2017), the Red Wheelbarrow #9, and Wilderness House Literary Review.

God

Knock, knock. The vestibule light goes dark.
Then the porch light goes out.

Behind the door
the scrape of a butane lighter wheel
and the little hiss of gas.

God is a shut-in
who turns off the lights
to make you think no one is home

and then stands just inches away
in the dark, smoking a cigarette.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – Jan 31

Poem of the Week 1/31/2017

Claudia Serea

You won’t know this love

You won’t know this love
until you’ll know each mole,
each constellation
on her skin,

until you’ll recognize her skin scent
and crave it at night.

You’ll feel the need to touch,
to carry
your little monkey
on your back.

The urge of milk,
eyes closed.

You won’t know this love
until you’ll feel your rib
missing her rib,

the ocean of your blood
seeking her ship.

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GV – New Date for Electric Poets Gathering / Alfred Incarnacion

Join the Red Wheelbarrow Poets for music and poetry at 7:00pm on Friday, Feb. 3 (moved back from Jan. 27). Musical guest will be THE ELECTRIC POETS GATHERING, featuring GEORGE PERENY. Featured poetry includes a book launch for ALFRED INCARNACION’s new collection about his mixed Filipino-American heritage, Ambassadors of the Silenced, and guest poet JAMES B. NICOLA, author of Manhattan Plaza and Stage to Page: Poems from the Theater. An open mic follows.

$8 cover includes coffee/tea, dessert

GainVille Café
17 Ames Avenue
Rutherford
201-507-1800

RWB Workshop Poem of the Week – Jan 24

Red Wheelbarrow Poets
Poem of the Week 1/24/2017

Arthur Russell

The Third River In the Rain

I love the rain when the rain fills the river,
when the rain fills the river, and the river starts to run,
and the willow branches read the braille of raindrops on the surface,
and ducks, defying type, hide underneath the roadway bridge,
and silent geese glide slantwise to their landing on the river,
and the island in the river sits down lower in the water,
and the tree roots hold the riverbanks,
and the empty branches lift the lowered sky
whose thickened clouds glow weirdly in the nearby city lights.

I love the rain when the rain fills the river,
and the river swells with meaning, and its meaning is to run
past the dam at Kingsland Manor, past the strip mall
on the highway that was once a marsh,
but now has a Chipotle, and the river that would fill that marsh
runs black behind the cars that park for dinner,
in a concrete quarantine that drains the rain that falls on Garret Mountain
through Essex towns and golf courses
to broaden where it joins the fouled Passaic.

I love the rain when I walk beside the river,
when I walk beside the river on my way home from the city,
from the bus stop on the highway, on a pathway
through the darkened park, my raincoat soaked,
my wide-brimmed hat with raindrops dripping from the brim,
whose felt I smell, whose smell I feel, whose beaver eaves
I walk beneath like the ducks beneath the roadway bridge
who see me walking past them to my house a few blocks further,
a man between his job and home, a home between its innocence

and what is yet to come.

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WCW – Lois Marie Harrod

Wednesday, February 1, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Lois Marie Harrod’s 16th and most recent collection Nightmares of the Minor Poet appeared in June from Five Oaks. Her chapbook And She Took the Heart appeared in January 2016, and Fragments from the Biography of Nemesis (Cherry Grove Press) and the chapbook How Marlene Mae Longs for Truth (Dancing Girl Press) appeared in 2013. The Only Is won the 2012 Tennessee Chapbook Contest (Poems & Plays), and Brief Term, a collection of poems about teachers and teaching was published by Black Buzzard Press, 2011. Cosmogony won the 2010 Hazel Lipa Chapbook (Iowa State). She is the recipient of 3 New Jersey Council on the Arts fellowships and 4 fellowships to Virginia Center for Creative Arts. She is widely published in literary journals and online ezines from American Poetry Review to Zone 3. She teaches Creative Writing at The College of New Jersey. Links to her online work at www.loismarieharrod.org.

A Girl like a Vulture

fell out of her kettle
into my life.
Give me, she said.
your days,
one by one.
Suffer me, she said,
like Christ.

What could I reply?
She was as blind
as a beggar,
the legal sort,
Nothing I gave
could make her see.
Yet she kept
picking at my heart.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – Jan 17

Red Wheelbarrow Poets
Poem of the Week 1/17/2017

Janet Kolstein

Can It Be the Weekend, Again?

The trash-filled rush to question
my pedestrian
escape plan
mocked the force of life’s
bite wounds.

Am I tough enough for the marathon?

Each narrative in my head has a terminal
with a thousand disappointments pulling in,
and phrases, winking with praises,
pulling out.

A full-length masterpiece seems more fictional,
than not,
and a vanishing point puts perspective
in storytelling
that goes above and beyond arithmetic.

Now, each day I wake to a lot of pressure
to flip the hourglass by my bed.

There is no substitute for an amulet
to deceive yourself.

In the waiting booth
with two black suitcases
smelling of cough syrup and bleach,
I search for safety
when my face gets hot —

high tech, low voltage,
visible light heavier than helium —
something, anything,
to fill the spectered lot.

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RWB Workshop Poem of the Week – Jan 10

Red Wheelbarrow Poets
Poem of the Week 1/10/2017

Mark Fogarty

My Younger/Older Sister

My sister was two years younger than I, but she was also older, wiser, smarter, tougher.

She was determined, always. When her college roommate died of cancer, she said, “I’ll live for her.”

She battled depression as I did but hers was worse. She nearly died of it after she gave up her baby and found it impossible to turn off that new love the way the doctors could turn off her milk. But she got up, went on, kicked the thing in the teeth until it walked away as all bullies do. In Alaska she found medicine that kept it away for many years.

She traveled to the wildest places on earth, jumped into the cold North Pacific (survival time, about one minute), found a cache of mummified human remains, tried to sleep where the sun shone all 24 hours, visited prisoners to encourage them to get their lives back on track. She walked into Native villages and astounded the people there by not telling them what to do, like all the other white people who came. They ended by inviting her to their weddings.

After seeing the lousy health care those people had, she told me, even though she was turning 40, “I’m going to become a doctor.”

She hated guns, and had a job where she had to carry one in case of bears. She never took it out of her pack, instead made a deal with the bears, that she wouldn’t bother them if they wouldn’t bother her. “And they never have,” she said. I have asked for the same deal.

She was perpetually thoughtful. She asked my forgiveness for things I didn’t hold against her. When she said “I’ll pray for you,” I believed in those prayers, was willing to conceive there might be somebody to pray to.

She was special, but she longed for the ordinary. “I want to have the same things other people have,” she said. A family, a partner. She lived in a place where men far outnumbered women. The problem was, she told me, “The odds are good but the goods are odd.”

When I visited her in Alaska, she said, “Don’t I have a beautiful place to live?” And it was, a place of rock cathedrals, a sleeping woman who lies on her side along the tops of mountains, a place with the tiniest Arctic roses whose colors were as dense as the black in black holes. We both took Dramamine before the ride on the ocean, where we saw a golden eagle by the shore, an ice sheet filled by otters, barking sea lions, diving sea birds, orcas that dove under our boat, a calving glacier.

“You should always smile in pictures,” she said, “because that’s the way people will remember you.” And I do remember her smiling, standing next to people beaming to be in her presence.

She had a talent for friendship. She had ten funerals, more or less. A Yu’pik group sang to release her soul, to go with the moon, the borealis. That was the best one.

She did things to show she wasn’t afraid. She went scuba diving off Indonesia. She signed up for a class in mountain climbing. But she wasn’t frightened of much. Looking at the glacier ice cascading into the cold water she told me, “The only thing I’m scared of is ice.”

She died after someone she was roped to slipped on a patch of ice.

She visits me in dreams, and I never remember she’s dead. Once we made spaghetti together, but she didn’t stay for the meal. Once she showed me how to find the black pearls hidden in the dark sand of a cold Alaska beach. And once she was sitting under a tree, like Buddha, like Gandhi, eyes closed. She was going to sit there as long as it took, even a thousand years, to figure it out.

I’d live for her if I had a clue. Maybe I will smile in pictures, but I haven’t yet. I want to have the same things other people have. I want to believe God has his eye on the ordinary.

I remember her, of course, around the holidays. When I was maybe seven and she was five, she broke it to me that there is no Santa Claus.

Thanksgiving, 2016

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WCW – Sophie Malleret

Wednesday, January 4, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Brandon Courtney cancelled due to a family emergency.

Sophie Malleret read her English/French poetry in NY: Howl Festival, Bowery Poetry Club, Nuyorican Café, New Museum, Reuben Foundation, NY Library, Art Fairs, Galleries. Also read at the Amherst Library, Woodstock Poetry Festival, in Europe: Paris, the Prague International Microfestival… Working on simultaneous performance of her bilingual poems with poet Bob Holman. Developing German poetry for a show in Germany. Collaborated with musician Marlon Cherry on his upcoming CD. Has also been active in film/theater. Recently associate producer credit for film “Claire in motion”, release date January 13. You can find her poetry in various issues of Vlak, Maintenent, Art in Odd Places…

From “A thrift store paints a shelf”

In four years I’ll be a hundred years old
The trees will be leafless
The sun will be warmer
The stars will taste of rot
Blueberry pies will fly
Wildly across your closet
Back and forth Complete chaos
You will miss holes in your sweaters and every little thing
You will catch me at night
Throwing rusty nets in the dark
Trapping nightmares
To the underground

Contact: John Barrale – john.barrale@gmail.com