RWB Workshop Poem of the Week – Jan 17

Red Wheelbarrow Poets
Poem of the Week 1/17/2017

Janet Kolstein

Can It Be the Weekend, Again?

The trash-filled rush to question
my pedestrian
escape plan
mocked the force of life’s
bite wounds.

Am I tough enough for the marathon?

Each narrative in my head has a terminal
with a thousand disappointments pulling in,
and phrases, winking with praises,
pulling out.

A full-length masterpiece seems more fictional,
than not,
and a vanishing point puts perspective
in storytelling
that goes above and beyond arithmetic.

Now, each day I wake to a lot of pressure
to flip the hourglass by my bed.

There is no substitute for an amulet
to deceive yourself.

In the waiting booth
with two black suitcases
smelling of cough syrup and bleach,
I search for safety
when my face gets hot —

high tech, low voltage,
visible light heavier than helium —
something, anything,
to fill the spectered lot.

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RWB Workshop Poem of the Week – Jan 10

Red Wheelbarrow Poets
Poem of the Week 1/10/2017

Mark Fogarty

My Younger/Older Sister

My sister was two years younger than I, but she was also older, wiser, smarter, tougher.

She was determined, always. When her college roommate died of cancer, she said, “I’ll live for her.”

She battled depression as I did but hers was worse. She nearly died of it after she gave up her baby and found it impossible to turn off that new love the way the doctors could turn off her milk. But she got up, went on, kicked the thing in the teeth until it walked away as all bullies do. In Alaska she found medicine that kept it away for many years.

She traveled to the wildest places on earth, jumped into the cold North Pacific (survival time, about one minute), found a cache of mummified human remains, tried to sleep where the sun shone all 24 hours, visited prisoners to encourage them to get their lives back on track. She walked into Native villages and astounded the people there by not telling them what to do, like all the other white people who came. They ended by inviting her to their weddings.

After seeing the lousy health care those people had, she told me, even though she was turning 40, “I’m going to become a doctor.”

She hated guns, and had a job where she had to carry one in case of bears. She never took it out of her pack, instead made a deal with the bears, that she wouldn’t bother them if they wouldn’t bother her. “And they never have,” she said. I have asked for the same deal.

She was perpetually thoughtful. She asked my forgiveness for things I didn’t hold against her. When she said “I’ll pray for you,” I believed in those prayers, was willing to conceive there might be somebody to pray to.

She was special, but she longed for the ordinary. “I want to have the same things other people have,” she said. A family, a partner. She lived in a place where men far outnumbered women. The problem was, she told me, “The odds are good but the goods are odd.”

When I visited her in Alaska, she said, “Don’t I have a beautiful place to live?” And it was, a place of rock cathedrals, a sleeping woman who lies on her side along the tops of mountains, a place with the tiniest Arctic roses whose colors were as dense as the black in black holes. We both took Dramamine before the ride on the ocean, where we saw a golden eagle by the shore, an ice sheet filled by otters, barking sea lions, diving sea birds, orcas that dove under our boat, a calving glacier.

“You should always smile in pictures,” she said, “because that’s the way people will remember you.” And I do remember her smiling, standing next to people beaming to be in her presence.

She had a talent for friendship. She had ten funerals, more or less. A Yu’pik group sang to release her soul, to go with the moon, the borealis. That was the best one.

She did things to show she wasn’t afraid. She went scuba diving off Indonesia. She signed up for a class in mountain climbing. But she wasn’t frightened of much. Looking at the glacier ice cascading into the cold water she told me, “The only thing I’m scared of is ice.”

She died after someone she was roped to slipped on a patch of ice.

She visits me in dreams, and I never remember she’s dead. Once we made spaghetti together, but she didn’t stay for the meal. Once she showed me how to find the black pearls hidden in the dark sand of a cold Alaska beach. And once she was sitting under a tree, like Buddha, like Gandhi, eyes closed. She was going to sit there as long as it took, even a thousand years, to figure it out.

I’d live for her if I had a clue. Maybe I will smile in pictures, but I haven’t yet. I want to have the same things other people have. I want to believe God has his eye on the ordinary.

I remember her, of course, around the holidays. When I was maybe seven and she was five, she broke it to me that there is no Santa Claus.

Thanksgiving, 2016

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WCW – Sophie Malleret

Wednesday, January 4, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Brandon Courtney cancelled due to a family emergency.

Sophie Malleret read her English/French poetry in NY: Howl Festival, Bowery Poetry Club, Nuyorican Café, New Museum, Reuben Foundation, NY Library, Art Fairs, Galleries. Also read at the Amherst Library, Woodstock Poetry Festival, in Europe: Paris, the Prague International Microfestival… Working on simultaneous performance of her bilingual poems with poet Bob Holman. Developing German poetry for a show in Germany. Collaborated with musician Marlon Cherry on his upcoming CD. Has also been active in film/theater. Recently associate producer credit for film “Claire in motion”, release date January 13. You can find her poetry in various issues of Vlak, Maintenent, Art in Odd Places…

From “A thrift store paints a shelf”

In four years I’ll be a hundred years old
The trees will be leafless
The sun will be warmer
The stars will taste of rot
Blueberry pies will fly
Wildly across your closet
Back and forth Complete chaos
You will miss holes in your sweaters and every little thing
You will catch me at night
Throwing rusty nets in the dark
Trapping nightmares
To the underground

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – Dec 27

Red Wheelbarrow Poets
Poem of the Week 12/27/2016

Arthur Russell

Spit

I

In Jay Meek’s “Walls,” about the imprisoned
poet Chidiock Tichborne, stone and despair
keep close company. Meek says Tichborne
wrote his testament on the wall of his cell,
and laid his head on a cobble to die.

Today, more than half
a million American men live
in solitary confinement, and lacking Tichborne’s
mind, and Jay Meek’s suffrage, they suffer
without landmarks.

They and their jailors are mirrors in despair.
He who minds the forgotten is forgotten himself.

Large prison populations are a luxury item
for an impatient, wealthy society,
purchased like a millionaire
disposing of an automobile
because the tire has gone flat.

II

The singular Tichborne becomes a generation
of young, American men in putty life,
and jailors, whose key rings
shut whole quadrants of their living brains,
twenty-three hours of dark,
seven days of solitude,
fifty-two weeks of disappointment,
365 ankle-chained skeletons in a row
like dried leaves in the sophist wind,
like coked-up crabs crossing brown, deserted paths
to egg-crates inside prisons, dying.

III

Chidiock Tichborne was disemboweled
before he was hanged (something ISIS
never seems to do on YouTube)
and the first Queen Elizabeth, when she
found out, banned the practice,
or we Americans might still be doing it today.

Today, we say that making a man watch
his mind drip like a blood sample
into a velvety vinyl bag
advances the public good.

IV

Tichborne was a busker
when he stuffed his sonnets sideways
in a vase that once held tulips
shipped in by boat from Holland,
and he fried an egg by skillet
and tossed two scallions in it,
and the hotel smelled like beeswax,
as the family below him

lit the candles they had carried
from the homeland they had left in the Levant.

They say he had a mistress,
but it never was that simple.
She would bring him ends of sausage
left over by at the café,
and lick her teeth and watch him
eating slowly at the window
as the crows fought on the cobbles
on the street that she had come from,

over something that no longer looked
like anything a crow would want to eat.

And sometimes they had passion,
and sometimes they had nothing,
but the time they sat there passing,
till she stood and took her handbag
from the chair back at the table
where his work, like shoveled dirt
on sidewalks, lay unwanted,
one rhyme short of making good.

As she went back down the stairway,
she heard children laugh in Hebrew,

and she didn’t really want to,
still, she looked back at the window
when she reached the intersection
at the passage to the subway,
but he wasn’t at the window,
and the light had changed to yellow in the sky.

He’d gone back to the table,
spit on his hands and rubbed them,
whittled down his pencil,
listed words that rhymed with ‘orange,’
made a box around ‘syringe,’
then lost twenty minutes thinking
of the friend who’d died of drugs.

His beard grew while he sat there.

Tichborne was a Catholic; though
he didn’t take the sacrament,
he liked to make confession,
and talk to mourning women,
so he went down to St. Peters,
and sat in Francis’s niche,
and a man who he’d seen before
sat beside him in the twilight,

and said the time had come to
assassinate Elizabeth;

and so, at only twenty-eight,
his stupid, thumping heart
insisted on the impossible
continuation of his life,
while his mind played opposites,
and the rhymes came quickly;
“frost of cares” rhymed “field of tares”
“death” with “womb” rhymed “earth” with “tomb.”

“My glasse is full,” he wrote,
“and now my glasse is runne,
“And now I live, and now my life is done.”

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WCW – Brandon J. Courtney

Wednesday, January 4, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Brandon Courtney is a veteran of the United States Navy, and the author of The Grief Muscles (The Sheep Meadow Press, 2014) and Rooms for Rent in the Burning City (Spark Wheel Press, 2015), as well as the chapbook Inadequate Grave (YesYes Bøøks, 2016). YesYes Bøøks will publish a full-length collection in 2017-18. He has received fellowships and scholarships from Sewanee Writers’ Conference, Colgate University, Juniper Summer Writers’ Institute, and Seaside Writers’ Conference. His poetry appears or is forthcoming in Best New Poets 2009, Tin House, Boston Review, Guernica, Memorious, The Progressive, and American Literary Review.

From from Lazaretto

Without a shipboard morgue,
we kept the dead Iraqi
in the dairy box—his corpse
supine beside the eggs
and sour cream—a figure
draped in cotton sheets,
stretched to keep the still alive
from witnessing the mouth
and eyes of the nameless
drowned, whose tongue,
embalmed in wind and ocean
brine, capsized between
his teeth and, like a ruined
clementine, hung low: a thick
inch of fruit on the branch
of his throat. Yet every look
I stole revealed some skin
still beautiful: oil slick,
sulfuric-sweet beneath a shroud
of faded sheets, quiet
as a Mezzo note. Forgive me:
I saw the man as meat—

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – Dec 20

Red Wheelbarrow Poets
Poem of the Week 12/20/2016

Mark F. Fogarty

Sodom or Gomorrah?

Which was it, Sodom or Gomorrah?
The seaside town where the bodies washed up?
That was Sodom, I believe.

The city where the hospitals were bombed
To cure stubborn life by death?
That was Gomorrah, perhaps.

The city where the children’s birthday cake
Ran mud and blood down their stunned faces?
That was Armageddon, certainly.

The city where hope was beheaded
And babies raped before murder?
That city must rule hell.

Who looked on horrified, pretending to be blind,
When asked to take some in?

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RWB Workshop Poem of the Week – Dec 13

Red Wheelbarrow Poets
Poem of the Week 12/13/2016

Mark Fogarty

Short Light

I went driving this afternoon in the short light,
The short fading light a week short of the equinox.

I came back after twenty years away
To the town where I grew up,
Tied in knots after leaving my spouse.
It was soothing to me, familiar,
Down to the ghosts that walk the streets
And the unchanged bricks of my high school,
Rocks that once were igneous, now sedimentary.

There’s a looseness to the late light, a clarity.
And I have lived long enough to remember dangerous things.
There are the homes they built on top of an old chemical plant,
The basements ready to burst with acid poltergeists.
And the building where I worked on the local paper,
Where a doctor now cracks bones.
Back then we worked in the basement and could clearly hear
The heavy footsteps from the ghost upstairs where nobody was.
And I was in love with a girl I worked with,
Stupid love, tormenting, worse than colitis.
When she married someone else I took a vow,
Scarlett O’Hara to the barren fields,
That I’d never be jealous again.

And the neglected arts center
Where my poets now meet in the kindergarten room
For the babies of the resident spiritualists.
In the old days it was a movie theater with a chandelier
Whose fat crossbeams were shrugged in cheesecloth,
Haunted by a ghost that turned out to be a cat
Wandered in to the unused back rooms to get out of the cold.
I have a memory of butter melting for the popcorn,
No heat necessary but the hormones of the candy girl
Who thrust her soft belly against my pants to feel what I had.
One night after work she did a striptease
On the old stage above the orchestra pit,
Ended wearing only an usher’s suit jacket and white panties.

That’s the way to do it. Keep them wanting more.
Keep us wanting to hear the orchestra that played the vaudeville bits,
The Marx Brothers there and gone in a flash, too quick to see.
They played there, I’m told, in 1922.
“They called the place the Ravioli,” said Groucho,
“But all I wanted was a decent knish.”

The poet the place is named after would have liked the striptease.
He was still alive when my family moved here. A few days before he died,
He walked the half a block to the library to return his books.
My mother knew him, asked how he was feeling.
“Not very well,” he said.
A tidy life is when you remember to return your library books.

I knew his Catholic bells, I went to school right under them.
But the nuns wouldn’t teach his heathenish stuff.

I worked in the other library, at the university.
If my student came in, I’d let her run for the magazines,
Sit with my feet up, reading the New York Review and Paris Match.
They sold the college to the nuns, who told us
We could believe we were descended from monkeys if we wanted to.

My library is now called an Education Commons.
I doubt they have magazines there now,
No thrilling starlets with their vibrant French tits.

I used to sit in the park by the river, waiting for a body to float by.
One time someone cut up his wife and dropped the bits in the river,
But I never saw anything more than a few icebergs of old tires.
One time my best friend jumped into the river at night,
The police searching for him and his insane buddy,
With the light from their flashlights unspooling on the water.

Good thing we’re below the falls.

Keep wanting more, and maybe you’ll see, as I saw,
A kid dressed up as Gandhi, down to the miniature walking stick.
That was at the Presbyterian church,
At the intersection of Main Street and a postcard from New England.
The father, the son and the mahatma, a good mix.

I used to think this place was a leafy locked room.

Now in the falling light, I listen
For the honk of the firetruck.
I want to hear the coming of the fireman Santa
Who throws candy canes to the equinox.

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New Book: The Red Wheelbarrow Poem of the Week 2016

The Red Wheelbarrow Poets Poetry Workshop has been producing top-rate poetry at various locations in Rutherford, NJ for the last ten years. The book represents the work of poets both local and cosmopolitan. The poems can be free verse, confessional, formal, even haiku and sonnets, but one thing they share in common is that they pay close attention to the dictum of famed Rutherford poet William Carlos Williams: Look for the live language. You’ll find it in the work of JOHN BARRALE, MILTON EHRLICH, MARK FOGARTY, RICHARD GREENE, CLAUDIA SEREA, ZORIDA MOHAMMED, ANTON YAKOVLEV, JANET KOLSTEIN, WAYNE L. MILLER and BOB MURKEN.

Order at http://www.lulu.com/shop/red-wheelbarrow-poets/the-red-wheelbarrow-poem-of-the-week-2016/paperback/product-22974471.html.

RWB Workshop Poem of the Week – Nov 29

Red Wheelbarrow Poets
Poem of the Week 11/29/2016

Arthur Russell

She Snores

On our bed lies the woman whose flesh
tackled me by the ankles.

I fell for years, slowly,
and lay, eyes open, unable to speak,
staring down the side street
that leads to the riverfront,
red rust blooming
on my white amalgam shins.

She snores, and I listen
like a mason at the stone yard
to the sound of her gravel sliding
off the truck, and I know by
its timbre if it’s pea
or quarter inch.

She grinds her teeth.
She curls in a pangolin ball
when I frighten her.

She plays the piano, though not for me.

We talk a lot while we watch tv.

Her people say “I love you”
instead of “goodbye.” Mine say “goodbye”
instead of “I love you.”

Fish, laid on ice, hug one another.
I wait outside her yurt, reading signs
in the blowing which-way snow.

She sleeps. I listen to her breathe.
It’s the time we get along best.

She extends my probation
year by year while she gathers
the evidence she evidently needs.

She used to talk to Julie, her childhood
German Shepherd, in her sleep.

I listened to the song in her voice
as she reasoned with the dog.

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GV – Jaco with Joel Lewis, Pete McCullough, and Corina Bartra

gainville-blog-dec-9-2016

ANNUAL JACO BIRTHDAY PARTY AND POETRY

Join the Red Wheelbarrow Poets for our sixth annual Jaco Pastorius birthday party on Friday, Dec. 9.

Musical guests PETE McCULLOUGH and CORINA BARTRA will salute the best bass player on the planet and will be joined by the ace of bass himself (via YouTube).

JOEL LEWIS will be the featured poet. Joel will be launching his latest book of poetry, My Shaolin. The RWP Open Mic follows.

$8 cover includes coffee/tea, dessert

GainVille Café
17 Ames Avenue
Rutherford
201-507-1800