WCW – Yuko Otomo & Steve Dalachinsky

Wednesday, May 2, 2018, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

YUKO OTOMO is of Japanese origin. A bilingual (Japanese & English) writer and a visual artist, she writes poetry, haiku, art criticism, travelogues, and essays. Her publications include STUDY & Other Poems on Art (Ugly Duckling Presse), KOAN (New Feral Press), and her latest, FROZEN HEATWAVE, a collaborative linked poem project with Steve Dalachinsky (Luna Bisonte Productions). She regularly writes for the collective critical writing forum www.Arteidolia.com.

Poet/collagist STEVE DALACHINSKY was born in Brooklyn after the last big war and has managed to survive lots of little wars. His book The Final Nite (Ugly Duckling Presse) won the PEN Oakland National Book Award. His books include Fool’s Gold and Black Magic (2014 and 2017 New Feral Press), A Superintendent’s Eyes (revised and expanded 2013/14 —unbearable/autonomedia), Flying Home, a collaboration with German visual artist Sig Bang Schmidt (Paris Lit Up Press, 2015) and The Invisible Ray with artwork by Shalom Neuman (Overpass Press, 2016). His latest CDs are The Fallout of Dreams with Dave Liebman and Richie Beirach (Roguart, 2014) and ec(H)o-system with the French art-rock group, the Snobs (Bambalam, 2015). He has received both the Kafka and Acker Awards and is a 2014 recipient of a Chevalier de l’Ordre des Artes et Lettres. His poem Particle Fever was nominated for a 2015 Pushcart Prize. His most recent books are The Chicken Whisperer (Positive Magnet Press, 2018) and Where Night and Day Become One—The French Poems, 1983-2017 (great weather for MEDIA, 2018).

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poems of the Week – April 24

Poems of the Week 04/24/18

Agriculture Aggregated

Bill Moreland

Little Bear said,
Cut me open, climb inside,
let me keep you warm.
Dunce cap tee-pees,
more ‘had’ than fooled
for repeated lessons
never learned.
Ranges and treaties
far-reaching but broken.
Gold grain woven
with staggered gray piping.
Totem poles and refinery columns.
Mud packed adobes
and stalactite ceilings.
The swallows are nesting
in the barbed wire.
The fires are smoldering
in the fallows.
The farmers’ sons cut through them
with a shallow plow.
Sparks crisscross
the crossed-out lower forty.
The perverted profit yielding
a zero sum’s gaming
propped up soy prices
with shortages.
There’s a Xerox in the barn,
the cows are multiplying,
extra buckets are required.
Manure boots
and three-piece overalls.
Aching bunions call for a drop in the market.
The Wall Street Journal predicts a calf by half spring.
Dawn on the farm,
like automatic garage doors,
crows.

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Careening

Arthur Russell

I don’t want to write a poem to you
or to the dark mole on your arm,
to your affection threading a finger under my shirt cuff,
or your octopus-ink-in-the-water soul.

I don’t want to meet the onrush of your love with words
that may deflect and send it away at an angle
I can only watch with regret, or use my verbal facility to suggest
that I am anyway the master of this rowboat.

But I will write a poem to you in the shape of a couch,
with the sound of the people talking out in the hall
and the smell of a store you haven’t been to in years
where discount dungarees were stacked on rough tables,

and the owner’s mother stopped you from pawing through the piles
by asking, in the nicest way, what you were looking for.

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RWB Workshop Poem of the Week – April 17

Poem of the Week 04/17/18

At His House

Arthur Russell

She slept in the car,
under two coats,
half woke cold wondering
whether to go in,
hiding from him and the chill
with reasons banked like drifts
and snow clumping on the window
next to her face.

He saw the car
from the second floor
bedded down in snow,
no footprints, and she wasn’t
in the spare room, the windshield
covered; he stubbed
his cigarette and went down.

Snow on the window screens
made the square grid show;
she opened the car door and blinked.

He opened the door, waited
for her to come, rehearsing,
by slight movements
how he would open his arms
to her.

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GV – Jennifer Poteet and Chelsea Carlson

NEW POETRY, MUSIC RELEASES AT GAINVILLE CAFE

The Magic Circle returns to GainVille Café Friday, April 27. Both our guest musician and feature poet are launching new releases so this should be good be! JENNIFER POTEET is launching a book of poems called “Sleepwalking Home” while a favorite GainVille performer returning for an encore, CHELSEA CARLSON, has a brand new single called “Windows.” Also on tap the Red Wheelbarrow Poets’ Bring-Your-A-Game open mic.

A $9 cover includes coffee/tea, dessert. 7 PM

GainVille Café,
17 Ames Avenue, Rutherford
201-507-1800

RWB Workshop Poem of the Week – April 10

Poem of the Week 04/10/18

Maggie Amanda Jones at 104

John Barrale

She remembers Nantucket Island when it was the true heart
of her clipper ship captain, his ways set and weathered,
like the gray boards and red brick of the house they shared.

She misses him, still keeps his oil-skinned slicker on the hook
where he hung it to dry, a bulky thing— yellow-colored,
blonde like him.

He is in the small things: his meerschaum pipe
with the carved, bearded face waiting
like the doily on the parlor chair— its weave finer
than the best net, something she crocheted
as if to catch the Bay Rum smell from his hair.

Their house is a maze now, become so in a matter of fact way
when last year’s confusion struck— her stroke a slap
that said sit down.

She is slow. Her pride, like her chair’s wheels,
stubborn as oxen and often stuck in the rug’s pile,
or the floor’s warp—places where she, deer-like,
had once stepped lightly.

Maggie still remembers the hero uncles lost at sea,
each a tale told at midnight by dead aunts
who stare from painted portraits,
their whispers sea swells and dark knots
scattered along the parlor’s pine panels.

The aunts wear bright bonnets in morning sunlight,
and beg a smile when she passes, dear sister friends
who sit with her for breakfast tea by the fire.

She smiles, runs her hand through thinning hair.
She is old, very old, older than they once were.
Her ways simple —Sunday afternoons
one sherry glass set on the table not two.

But she is still alive, quietly enduring,
like her neighbor’s promise kept for sixty years—
not to cut the shared yard’s oak.

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RWB Workshop Poem of the Week – April 3

Poem of the Week 04/03/18

Love me

Claudia Serea

With gusts of wind through lace curtains
and white bed sheets,

love me with water,
endless spring rain,

love me with chocolate
and champagne,
fill bathtubs, tunnels, and pipes,

love me like fire,
blindfolded and light,

like a rock concert
in a burning library,

like a bullet train leaving the station
with cellos and violins—

love me like ghosts in the old palace,
with hammers and swords,

love me
like war,
with dust, tanks, and humvees,

crunch me between your teeth
like a rose stem,

love me like a bargain,

like barter, give me your heart
and I’ll give you rice
and a chicken for it,

love me like the sun loves the moon,
and soup the spoon,

love me like a breeze in your hair,
love me like your breath,

like all life
and all death.

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RWB Workshop Poem of the Week – March 27

Poem of the Week 03/27/18

Condo Pool

Janet Kolstein

Leaning back in the hot, bubbling water,
he looks at me with steamy eyes,
his face flushed, his hair wild
and curled like Gabinius.
“I admire you,” he says,
“So many people don’t come down
to the pool, but you do.”
“You are an inspiration.”

Really?, I murmur.

Thank
you.

Thank you for nothing. Thank you
for lacking the facts. Thank you
for ignoring my questions regarding
the locker room renovation. Thank you
for replying to my email with
WHO ARE YOU?
Thanks for doing the little scuttle dance
when I try to speak to you,
for your condescension
wrapped in bonhomie.

I turn to walk away
over the perforated plastic mats
at the edge of the indoor pool,
the sun barely making it out
of the scrim of winter clouds,
and I wonder if the lifeguard
is going to open the door for me.

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RWB Workshop Poem of the Week – March 20

Poem of the Week 03/20/18

Speedy Motherfucking Gonzales

Claudia Serea

Rung like rags,
we climb aboard,

little life left
in these body carcasses,

juiceless lemons
after making lemonade
all day.

But this driver was bit
by the bat from Hell.

Hunched over the wheel,
he’s the hawk
of the highway.

If I weren’t so tired,
I’d let out an Arriba, arriba,
ándale arriba!

when the bus flies
onto Route 3,

away—away—away
from the city in flames.

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GV – Brendan Fogarty and Fiona Conway (+ POW 2 Poets!)

IRISH MUSIC, POW POETRY
AT GAINVILLE MARCH 23

The Magic Circle returns to GainVille Café Friday, March 23. We are celebrating the release of our book POW 2 (Poet of the Week) and will feature many of the writers in the book. Our musical guests BRENDAN FOGARTY and FIONA CONWAY are returning to present Irish traditional music. Also featuring the Red Wheelbarrow Poets’ Bring-Your-A-Game open mic.

A $9 cover includes coffee/tea, dessert. 7 PM

GainVille Café,
17 Ames Avenue, Rutherford
201-507-1800

And mark your calendars for the return of GV favorites CHELSEA CARLSON (April 27) and LISA BIANCO (July 27). PETE McCULLOUGH is pending for June!

RWB Workshop Poem of the Week – March 13

Poem of the Week 03/13/18

She’s Not My Woman, No One Would Possess Her

Bill Moreland

She left a broken home broke,
scavenging around the Big Apple,
squatted in the Chelsea Hotel,
and feasted among the art elite.
She dined with Dali who let her hold his jewel-encrusted cane.
Indeed, he dubbed her the ‘Queen of Rock and Roll.”
Gaia told her Dali never let anyone hold his pikestaff,
that she should feel special.
Special, still she didn’t give a shit.
For they were poseurs slumming,
she was slummed.
They sought in her inspiration for art,
but she was art inspired.

She’s not my woman, no one would possess her.

Pre-punk with the heart of a lion,
crude and rude with a pink streak in her spiked hair,
she had radar for bullshit, and called it out of hiding.
Once, she stood between a gun and its target
until the barrel was lowered, ashamed.
Naked, she climbed a street pole reaching for the some truth in its light,
was saved by a black saint,
and followed the sound of a Gabriel’s horn
bounding and rebounding
in the alleys of Alphabet streets, graced.
She ran door to door barefoot, pounding,
alerting the junkies and the whores in a burnt out building
burning once more.
She felt rewarded, when in its charred remains,
she found a perfect pair
of dancing slippers.
She was fucked up and fucked over,
guided by a steel weathervane still,
pointing her on a righteous path.

She’s not my woman, no one would possess her.

Then we met, and loved, and fought with vigor.
We dared to up it up
a notch.
“If you thought you had courage once,” she said,
“be responsible for three hungry babies.”
The sleepless night will kick the covers off the bed,
in there is a fear not greeted before.
There is no fake in the ache of this woman.
There is no tame in unbridled love.
There are no half measures in the full cup of motherhood.
There is no losing a battle
when winning is the next day.
Going it alone is child’s play.

Children playing children’s games carried its own heavy load
of laundry, and groceries, and ass wipes, and patience,
with dreams supplanted
while they dream,
listening to her read;
“And hand in hand,
On the edge of the sand,
They danced by the light of the moon,
The moon…
They danced by the light of the moon.”

She’s not my woman, no one would possess her.

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