WCW – Emari DiGiorgio

Wednesday, December 6, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Emari DiGiorgio is the author of Girl Torpedo (Agape, 2018), the winner of the 2017 Numinous Orison, Luminous Origin Literary Award, and The Things a Body Might Become (Five Oaks Press, 2017). She’s the recipient of the Auburn Witness Poetry Prize, the Ellen La Forge Memorial Poetry Prize, the Elinor Benedict Poetry Prize, RHINO’s Founder’s Prize, the Woodrow Hall Top Shelf Award, and a poetry fellowship from the New Jersey State Council on the Arts. She’s received residencies from the Vermont Studio Center, Sundress Academy of the Arts, and Rivendell Writers’ Colony. She teaches at Stockton University, is a Geraldine R. Dodge Foundation Poet, and hosts World Above, a monthly reading series in Atlantic City, NJ.

Mudflap Girl Speaks

My hot minute as a pin-up: the golden hour’s
slick ruse. More likely, Stu drew the thin frame

of a girl downtown, feral dame I feared as a newly
housed wife. Or a wisp of the she before me,

untethered Amazon freewheeling the countryside.
Her body’s open road, long haul, radio static,

bellowing semi horn her call. Maybe she was
a goddess of his dreams: the slope of spine

a dangerous curve at night, dark crease along hip,
one-way bridge, flashing lights. Change gears

too fast, and areolas’ inverted potholes will shred
thread, send a rig skittering sideways across

Highway One, a full cache of beer and glass
crashed. I prayed that he’d come home, wanted

to bang the road from his bones, but I tired of his
crass jokes, how he thought time stopped when he

was gone. I sundialed in sheets, pined for a woman
who went braless at the post office, the peaked

grottos of her tits in the cool dark of an old cotton
shirt. My breasts were a roadside attraction, though

the toots and whistles were for a phantom sexpot
they dreamt of bending over, never kissing.

 

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – October 31

Poem of the Week 10/31/17

Arthur Russell

How To Replace A Toilet

First, have a father, one who owns a car wash
where he employs poor black men,
preferably those who have come North in the Great Migration,
but any poor black men will do,
as long as they have historical disadvantages
that have translated into self-destructive behaviors
that make them the target of disdain and predatory labor practices.

Grow up at his kitchen table,
hear his precise mimicry of their accents,
mockery of their foibles,
his weirdly intimate knowledge of their weaknesses
and hopes bordering on, and even bleeding over into,
affection that never reaches all the way to respect.

Go to work for your father.
Start off drying the cars at the exit end,
and gradually learn all of the jobs
while imbibing his attitudes
towards the men you work beside, although you,
made differently, or is it just youth and naïve sympathy,
appreciate their struggle.

See them come to work still drunk from the night before
while you are spending your summers at summer camp
learning to smoke pot behind the bunkhouse.
Get paid the same net $1.25/hour the men get,
with the difference that they are living on it
and you are saving up to buy a Sony stereo music system
so you can play Carole King’s Tapestry.

Take out Pete Watson’s oozing head stitches
at the lunch table with a fresh razor blade and tweezers
so he doesn’t have to leave early to go to the ER and miss work.
Learn to send men home with no work on slow days,
how to absorb their abuse, their special hatred
of your father, blooming when drunk,
transferred to you, and how to resist their requests
for new uniforms to replace the worn ones
that you send to the local dry cleaner for patching.

Lean over their shoulders as they vacuum the cars
to stop them from sucking up the change in the ashtrays.

Follow them around the corner to stop them from buying beer
on their 45-minute lunch for which your father charges them an hour.

On a Saturday morning at 7 AM, when Jerry Howard has used his one call from jail
to call your father, go to the Brooklyn Mens’ House of Detention on Boerum Place
to bail him out after he got arrested during a fight with his wife,
because Jerry is the best entrance driver and it’s Saturday,
two days after a messy snow, and you may wash 1000 cars.

Another time, find Irving Hyde hiding inside his locker after closing
hoping to burglarize the place if you locked him in.

And listen, always listen, even when you argue against him,
to the embattled logic your father uses
to justify stealing from the men’s tip box,
withholding pay they’ll never get back in taxes
because he pays them off the books,
and giving them alarm clocks for Christmas,
but only if they come to work that day.

So you are ready one morning
when someone tells you that the men’s toilet
is broken, and you go into that cubicle to see
that it’s not the flush valve or the toilet seat,
but the commode itself, the vitreous bowl,
that has cracked with an obvious fissure from base to rim
where someone has jammed a liquor bottle
upside down in the drain and evidently stepped on the base of it
hoping that the bottle, not the commode, would break apart and flush away
so that the bottle would not be found in the trash
and raise suspicions that he had been drinking on the job.

Go to your father where he sits behind his grey steel desk
making tea, and tell him what has happened.
Wait while he squeezes the teabag against the spoon
and swings it deftly by the string into the wastepaper basket
before he looks up at you over his half-moon reading glasses,
and says, “Well, fix it, Sonny.”

Admit you don’t know how to change a toilet.
Watch your father take a stubby pencil from his back pocket
and draw a schematic diagram of a toilet on a writing tablet.
Listen to him explain, with the same patience and easygoing charm
he used to talk to your teachers on Parents’ Day,
the two bolts, the wax ring, the pipe wrenches, the Teflon tape,
then make up a list of parts for you, and send you in his Lincoln
to Davis & Warshow to get what you will need,

then call you back at the door to remind you
to put a board across the toilet before you go,
or they’ll use it while you’re gone
and you’ll have to clean out their shit by hand.

Keep the schematic diagram for future reference.

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RWB Workshop Poem of the Week – October 24

Poem of the Week 10/24/17

Della Rowland

Trade Winds

One day it rains in Indiana,
the next in New York.
Weather winding from the Pacific across the North
follows the wind’s drop down,
down to the boot toe of Indiana where I grew up,
where the Ohio encounters the Wabash,
where Indiana knees Kentucky and elbows Illinois.

Then the weather heads back north and east,
courses up invisible banks
over ordinary Ohio,
endless Pennsylvania,
industrial New Jersey,
to the stop sign at the Hudson
where I live now.

The Ohio curls up in the armpit of my hometown,
curves against flood banks on the Kentucky side,
slides under pastel and fluorescent sunsets
to meet the moonlight on the Wabash.

Humidity hangs heavy in that river basin,
a damp blanket on everything,
even tree leaves’ undersides.
It clings to your skin,
even after you’ve left.

My angry sister snows on every road I drive to reach her.
My sad sister sends me rain and autumn leaves by the rake-fulls.

My dead father’s disapproving voice blows north wind cold,
cold as his marble monument,
his children’s names on the back,
hieroglyphs depicting servants buried with the pharaoh for eternity
under a stone sunset.

The smell of Mom’s roses and laundry on the line
crosses state lines and years,
travels the wind stream and veins.
We scattered her long ago in the Pacific with roses.
She and their scent flow under our bridges,
up our rivers, in the rain,
lie like soft humidity on our skin.

My Indiana won’t send its historic thunderstorms
or infamous tornado tunnels north.
It’s waiting for its earthquake fault line to finally fall in.
You’d think it was LA where my brother fled
to escape that weather pattern.

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WCW – Christopher Salerno

Wednesday, November 1, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Christopher Salerno is the author of four books of poems and the editor of Saturnalia Books. His newest collection Sun & Urn, selected by Thomas Lux for the Georgia Poetry Prize, was recently published by University of Georgia Press. A NJ State Council on the Arts fellow, his poems have appeared in The New York Times, American Poetry Review, Guernica, Prairie Schooner, Jubilat, Fence, and elsewhere. He’s an Associate Professor at William Paterson University in NJ where he teaches in the B.A. and M.F.A. Programs in Creative and Professional Writing.

SELF PORTRAIT WITH SICK BACCHUS

You climb a tree to eat the day’s fruit
until the boughs crap out
because a body must test the air
to be art. Braid legs with branches
until the sun dulls. I am no docent
but so much depends upon
proper diffusion of light. It’s not
the moon, though it pursues you. It’s how
faces in paintings are lit like dead
relatives in dreams, their eyes
pairs of dark gems. Caravaggio
painted over several of his apostles
before giving Bacchus those sick eyes,
that crown of vines. We like this
kind of art, but to buy it would cost us
everything. Like listening to the story
of our own afterlife: once the stars
pull out and frost hits the field.
Honey crystalizes in the jar.
We vie for a view of something real—
oleander or our old selves—
but both contain poison.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – October 17

Poem of the Week 10/17/17

Mark Fogarty

The Love Song of J. Donald Trump

I did try and fuck her.
I moved on her like a bitch
but I couldn’t get it done.
And she was married, too.
She’s now got the big phony tits and everything.

I better use some Tic Tacs
just in case I start kissing her.
You know, I’m automatically attracted to beautiful—
I just start kissing them.
It’s like a magnet. Just kiss.
I don’t even wait.

When you’re a star they let you do it.
They let you do everything.

Grab ‘em by the pussy.
You can do anything.

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RWB Workshop Poem of the Week – October 10

Poem of the Week 10/10/17

Mark Fogarty

At the Grave of Meriwether Lewis

The monument is too tall for the clearing.
There was no one there to remember,
The day I came, no one to remember
But me. I have just come from the cabin where he died
One black night on the Natchez Trace,
The postal road through Chickasaw land.
There are only two rooms in it,
A little too confining for my taste.
He had one. He paced up and down it
All night, his soul calamitous,
Thinking at the last Captain Clark
Would come to rescue him, to partner
The calamity of depression doused with laudanum.
Shit, you might as well throw gas on a fire.
He talked to himself, the others say,
Until the dawn came and he took out his gun.

He was a Hero of the Revolution,
Calm and resolute in the woods and the wild,
Nervous and done for in the cities.
He was the very hand of our democratic spirit
Reaching across the big unknown of the continent.
Chintzy Congress made Clark
A Lieutenant to his Captain, to save a few nickels.
Lewis never told his men Clark was anything but
His co-equal, since he knew that to be true.
Only one man in his charge died,
Of a burst appendix. Only one Indian died,
Stealing horses. And when it was time to choose
A winter camp, Lewis looked around at those
Who had rowed up an irritable river
And portaged over a spot that was blank on their maps,
Two hundred fifty forlorn miles of mountains,
And decided each had earned the right to vote on it.
The men all voted. Sacagawea, the Native woman,
Was the first woman to vote in America.
Clark’s slave, York, was the first black man
To vote in America.

They got to the Pacific at a place so bleak
It was called Cape Disappointment.
I followed them there, and wept to find
The end of the road was a gun-gray ocean,
A bitter wind that used the drops of rain as a whip.
It’s called now, I kid not, Waikiki Beach,
To prove that the god of liberty has a sense of humor.

Sacagawea died young. There’s no place to mourn her.
Rising waters washed away her sturdy bones.
Stouthearted Clark brought up her orphaned son.
Of the stories of York, I like best
The one of how he got his freedom,
Went back upriver to Indian Country,
Got him four wives.

I make out America as bipolar as Meriwether was,
Swinging from the grand to the odious,
From a Hero of the Revolution to the Antichrist.
We cut deals with the Indians and burned them every one.
We prospered on the backs of the abomination of slavery.
Sacagawea was the only woman to vote for a hundred years.
We badly need a few more Heroes of the Revolution.
You can still sign onto the captain’s manifest, venture to the lands
Where the Indians need houses to live in.

My mother was born in a year women could not vote.
She lived long enough to vote for a black man.

Lewis was thirty-five when they buried him
In a small clearing near the cabin where he died.
He died of an insanity that I understand.
I followed him across the country and back
To an empty spot in the woods.
I guess he’d have liked the woods,
Guess he wouldn’t mind the loneliness.
It would take a lot to confine his roving spirit.

Once I thought I caught a glimpse of him,
In a daydream, in the corner of my eye,
In Oregon, near the Dalles,
In a boat coasting down the Columbia,
The current finally in his favor for a while.
.
I wish I’d had some laudanum to pour out on the ground.

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RWB Workshop Poem of the Week – October 3

Poem of the Week 10/3/17

Russell Francis

More Steam

In the “Heart of America-66” I, the brigand, tell my tale
in Pirates Cove; near Robins Reef, they sing to Valhalla.
I, brigand, tell my tale of you.
Those were times told by few here; I toiled.
Sweat-stained hands hard on course and stay the helm.
America, you sweat me hard those years. Heat.
The heat is hot, your engines roar, more steam!
If this place be Hell, if Hell I live, more steam!
Boilers pant and mud plates scream, and the capt’n rings down.
More steam! I hold the helm and answer true, more steam!
Men go mad, and death takes its due, and engines roar all pride
taken to Valhalla.
For pride, I broke your back; I broke your heart; I stole your soul.
More steam!

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RWB Workshop Poem of the Week – September 26

Poem of the Week 9/26/17

Della Rowland

Riding With Will

In a fever,
we cram into Will’s little red car —
him, Martha, and me in the front seat,
Sarah and two others in the back —
our squeezed-in elbows poking out the windows,
bound for a cowboy store where he’s sure
we’ll buy a hat, maybe boots.

Will pops the clutch,
leaving babies and children behind, playing
in the yard, all over the yard,
patting soft dirt into piles,
making perfect sentences as only children can,
scooped up by grandmas and uncles and who-all else
when we lurch off fervently,
bucking down the driveway
toward our hilarious destination only Will knows where
while the radio blares “Listen To The Mockingbird”
and the wind rolls through the rolled-down windows
and our waving hair,
and Will hunches back and forth over the tiny steering wheel
whooping and swerving down field-flanked roads,
beating the big trucks to the next intersection
every time.

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RWB Workshop Poem of the Week – September 19

Poem of the Week 9/19/17

Milton Ehrlich

The Woman in a Negligee

wears an elegant outfit,
decolletage, with a thigh-high split.
I’m almost 17, making a delivery
during the war for a local drug store.
She pays me with a big fat tip,
invites me in for a yummy taste
of blueberry pie she’s just baked.
She tells me her back is in pain—
do I have time to give her a back rub?
Her stereo is ablaze with the vibrato
of Edith Piaf while she offers me
a sip of homemade wine, brewed
by her husband before he left.
I sit on her sofa and wonder:
Is this a fantasy I’ve had on my delivery route?
Are we both phantoms in a mutual dream?
We both seem to savor the mystery
of the perfect moment—no dialogue necessary.
My body and soul is willing
in more ways then I care to say.
It’s the very best blueberry pie
I’ve ever tasted, before or since.

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WCW – National Translation Month: Martin Woodside

Wednesday, September 6, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Martin Woodside is a writer, translator, and founding member of Calypso Editions. He spent 2009-10 as a Fulbright Fellow in Romania. Martin’s work has appeared in numerous literary journals, including The Kenyon Review, Asymptote, Guernica, The Cimarron Review, The Brooklyn Rail, and Poetry International. Martin’s published five books for children, a chapbook of poetry, and a full-length collection of poems, This River Goes Two Ways. He edited Of Gentle Wolves, an anthology of Romanian poetry, worked with MARGENTO to translate Gellu Naum’s poetry for the English language collection, Athanor & Other Pohems, and contributed to Ruxandra Cesereanu’s anthology of contemporary Romanian Erotic Poetry, Moods & Women & Men & Once Again Moods. For more, visit martinwoodside.com.

Contact: John Barrale – john.barrale@gmail.com