WCW – Davidson Garrett

Wednesday, December 7, 2016, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

DAVIDSON GARRETT, a native of Shreveport, Louisiana, is an actor, a poet, a writer and a taxi driver. Poems from his book King Lear of the Taxi, published by Advent Purple Press in 2006, were used as text in the short film Taxi Driver – King Lear of the Taxi by Flashgun Films of Great Britain. In 2015, Advent Purple Press published a new chapbook by Garrett titled Southern Low Protestant Departure: A Funeral Poem. The poem is a long narrative work, written in the verse form of tercets, which depicts a Protestant funeral in a small Southern town. Also in 2015, Garrett had a spoken-word play published titled Conspiracy Theory: The Mysterious Death of Dorothy Kilgallen. This play was published in Issue 8 of the performance art journal Nerve Lantern.

From Southern Low Protestant Departure: A Funeral Poem

Southern folks
tend to die
during the zenith of
summer’s hellish heat
as death itself
drips beads of sweat.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – Nov 15

Red Wheelbarrow Poets
Poem of the Week 11/15/2016

Arthur Russell

The Jetty

I stood on the canted, wet black stones
piled outward from Brighton Beach into Rockaway Inlet,
with coffee and a cigarette, the taste of which was ruined by the cold salt air.
I went back to that place, as if looking for my keys,
if keys were the self who still had a say.

Behind me, the six-story shtetl of bricks and heavy
Jewish food backed up to the elevated subway,
spine of the old neighborhood, escape route bending northward
over Mrs. Stahl’s Knishes, towards Manhattan.

Before me, the ocean Grandma Eva called the yam
and urged me go swim, churned and threw up lattices
of spume in the name of the blistered sea.

My hoodie zipped, I cuffed the drips-in-winter nose
I inherited from my father, and, stiff-eyed, took the wind
from Breezy Point, past which I’d sailed once, far as Ambrose Lightship
to see the ocean open out and offer no more answers until England.

At 17, in khakis that matched my desire to run away,
I swabbed locker rooms, and mowed the scruffy lawn
where white and red impatiens were planted
in the shape of the burgee of the yacht club in Sheepshead Bay
where I tendered the members to their sailboats at the moorings.

And evenings, when they’d all gone home, on my last run
over the summer black and glassy bay, I smoked cigarettes
and listened to “My Love” on a cream-colored transistor radio
with a gold-tone grill and the name Electra etched in red script
beside the thumb wheel for the volume.

And on race days, some of which were cirrus and zenith
blue for absolution, I winched the lightening boats
up from their trailers, swung them on a davit over the cyclone fence
where gangway sailors held steering lines to keep them from swinging
while we lowered them down,

and I followed them in the committee boat, past Kingsborough College
and the seaside nursing home where forty years later my father would die,

dropped anchor in the inlet, and fired blanks from a cannon to start the race that sent them
— a regatta of schoolteachers, doctors and tradesmen, and a gal with short hair
who climbed telephone poles for Bell Atlantic on weekdays and the masts of sailboats
in a bosun’s chair on Sunday —

around a course of red and black channel markers, buoys and bells,
their boats heeling over to beat up to the wind, or raising
their painted spinnakers like pregnant women promenading
in summer dresses, though none of this could reach me
in the wretched unhappiness in which, those days, I bobbed,
and waited for the race to end.

And then, as a man of thirty-three, when I’d scuttled my first chance at poetry,
after 5 years working with a damp towel slung over my shoulder
and my arms crossed on my chest to hold the anger in,
as the exit manager of the Hollywood Car Wash on Coney Island Avenue,
speaking college French with the Haitians who wiped the cars,
and leaving there for law school, living still in Brighton,

I stood on these same rocks, reciting mnemonic devices
to drill jurisprudence as I prepared for the bar exam, the summer
I also came closest to dunking a basketball in the playground
at Brightwater Court.

And now, in the shadow of that dray career,
with hips as brittle as butter chip cookies,
I climb these February rocks to stare at the sea and back at the beach
and the boardwalk, and the men’s room under the boardwalk
where a boy once showed me his penis,

and wonder where I fucked up, how I got it so wrong, how the key
I turned to open the world had locked me instead into absurd anxiety
and obdurate complacency.

I cut my feet on a broken bottle here.
I ran with my sister to catch the orange drink man.
I came for the fireworks on Tuesdays
and found my grandparents laughing with neighbors
in folding chairs when they were my age now.

I brought girls to my apartment in my red Monte Carlo.
I bought sturgeon from the fish store. I lived across from the synagogue
where you could hear the men mumble through the open windows
on Yom Kippur while the women waited outside wondering
how long after sunset the rabbi would hold them;

The swells on the ocean are the muscles of the Earth,
and the spines of the fish-eaten fish fall through the sea
to what we call its bed to pretend that it sleeps.

But the business of the waves proceeds
without regard for whom, or when
because the ocean is a vast, tectonic, sloshing thing
that answers to planets, not men.

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RWB Workshop Poem of the Week – Nov 8

Red Wheelbarrow Poets
Poem of the Week 11/08/2016

Milton Ehrlich

If Only My Name Had Been Nicholas

I wouldn’t have been such a scared kid.
If my name had been something — anything,
just not Milton, an alien name,
a yellow star of David.

How could it not catch the eye of those toothless oafs
who hoisted me up in the air in 1936?
My 6-year-old legs fluttered in the air,
wordless — when they demanded
to know: “Are you a Jew?”

My bruised mouth stuttered to utter: “I’m a Greek,”
hoping against hope
I could pass for Christian,
and maybe Greek.

They wore swastika armbands,
forced me to salute Hitler
with a shout of Sieg Heil!

Father wanted to call me Nicholas,
but Mother preferred Mordecai,
after her beloved grandfather.

I could have been a tough kid
with a name like Nick,
maybe even, Nick the Prick.

And might have become a pal
of Tony, Frankie and Luigi,
instead of hanging out
with Hebrew School classmates,
Marvin, Norman and Howard.

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RWB Workshop Poem of the Week – Nov 1

Red Wheelbarrow Poets
Poem of the Week 11/01/2016

Claudia Serea

Ham and cheese sandwich

Once upon a time,
there was a country made of Swiss cheese
far, far away,
so far, the cheese never made it
to our stores.

We knew that Swiss cheese existed, though—
we saw it on the news.

Once a year, we took a class trip
to the Bucharest International Fair,
and we saw the huge wheels of cheese
and other miracles, like glazed hams,
pork shoulders, and meters of sausage,
and salami.

Throngs came to see the superstar foods,
glamorous and untouchable.

And, in the Swiss cheese country,
the king and queen were still alive,
but no one was allowed to see them,
or speak to them,
so they were invisible.

Moms never had to count
the slices of ham,
or measure the salami with a ruler
before cutting,
or hide the bananas
and chocolate in the armoire
behind linens and towels,
until Christmas.

I’m telling you these stories,
layering ham and cheese slices
like forbidden papers on a bun,

and you laugh—
Sure, mom,
you saw the Swiss cheese on the news,

and take a bite.

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RWB Workshop Poem of the Week – Oct 25

Red Wheelbarrow Poets
Poem of the Week 10/25/2016

Susanna Lee

Unspoiled

That doe, living in the woods behind my house, teaches her children:
how to lie perfectly still until she returns to nurse them;
how quick one must leap at the smell of wolf,
and how to trust one’s instinct to find the right direction to run away;
how to nudge aside the snow with the snout,
to nibble at the promise of moss beneath;
to believe that when the moss runs out,
the barren trees
will sustain life;
how to eat bark in the dead of winter,
and how long one must chew
before swallowing;
to trust in Nature,
to remain unspoiled.

I, too, am unspoiled, yet no wiser than the doe.

Her eldest,
this deer, lying on the far side of the road;
now mangled, twitching, splayed limbs akimbo;
gashes in his throat spewing, gushing red;
now stilling;
knew nothing of the factory wherein those headlights were manufactured.

I, too, am unspoiled, and no wiser than the doe.
I do not read what’s been written.
I say,
the view from atop the shoulders of giants
is directly above the spot where, once, they had decided it was the perfect place to firmly plant their feet.
They’ve now been rooted for thousands of years.

Those who’ve read all of what’s been written take this treasure trove seriously
and attempt to sequester it in an ark floating in gray matter.

However, that boat’s already leaking:
favorite recipes for chocolate chip cookies,
manuals for repairing Mac trucks,
guidebooks for traveling the Appalachian Trail,
poems sensing there are frays along the hems of bell-bottomed blue jeans;
all, stories we tell ourselves, over and over.

The better and better wars they, the learned, convince one another to create
are simply the bubbling over,
so much scum hovering atop the floating bits of ham in split pea soup.

I’m unlearned, fresh, unspoiled;
hoping to remain outside the box and discover why boxes are blinding.

I refuse to cede my innocent wholeness.
Like the doe, I retain the ideas I was born with,
those that sustained my forbears
when even the potatoes wouldn’t maintain their integrity.

In my poems, I do not make reference to ancient Greeks,
whose wisdom is said to be as yet unsurpassed.
I don’t read them.
I do not deny them their experiences. I take their word for it.
Or, rather, the word of those who’ve read them, studied them, recited by rote their verse,
then inevitably anguished over those ancient explorers’ deep voyages into meaning.

I do adore writers who cannot write an English line
without discovering the patterns of the shadows of Icarus’s wings
darkening their pages.
I enjoy imagining their privileged lives,
seeing how their curiosity led them to prowl through crumbling intellectual ruins.
I delight in finding evidence that dwelling on past writings has eviscerated their hearts.

I, on the other hand, will explore literary scholarship no further.
Unacquainted with history, science, mind-travelers, I’m untainted.
I cherish my own guile.

I will persevere.
I’ll never give up.
I will seek and discover the reason why
only the tears of dolphins and not elephants heal unicorns.

I will learn
how to move each of my own atoms independently of the others,
using nothing but the force of gluons.

Yes, and I will spend my free time in knitting,
out of the resounding echoes of the midnight howls of just seven coyotes,
enough joy and peace to blanket all the world.

This deer, lying on the far side of the road;
now mangled, twitching, splayed limbs akimbo;
gashes in her throat spewing, gushing red;
now stilling;
knew nothing of the factory wherein those headlights were manufactured.

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GV – John J. Trause and Mark Fogarty

TREASON POETRY AT GAINVILLE CAFE!

JOHN J. TRAUSE will be the featured poet at the Red Wheelbarrow Poets’ monthly reading on Friday, Oct. 28 at 7pm. John will be launching his seriously seditious new book of poetry, Exercises in High Treason.

MARK FOGARTY will start us off with a salute to our Nobel laureate and a few songs and poems from his new chapbook, A Prayer for Jordan. The RWP Open Mic follows.

$8 cover includes coffee/tea, dessert

GainVille Café
17 Ames Avenue
Rutherford
201-507-1800

WCW – Emilia Phillips

Wednesday, November 2, 2016, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Emilia Phillips is the author of two poetry collections from the University of Akron Press, Groundspeed (2016) and Signaletics (2013). Her poetry appears in Boston Review, New England Review, Ploughshares, Poetry, and elsewhere. She is the recipient of the 2015 Nonfiction Prize from StoryQuarterly, the 2012 Poetry Prize from The Journal, and fellowships from the Bread Loaf Writers’ Conference, The Kenyon Review Writers’ Workshop, among other places. She’s the Assistant Professor of Creative Writing at Centenary University.

Pastoral (Radio)

Out of range the stations’ signals confuse—
like grasses, crossing. Over the fields,
a field of waves. I have thrown my voice into
the future. I’ve called after
it to return. Like the radio,
I’m waiting for something to come, flickering
meanwhile with half-songs.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – Oct 11

Red Wheelbarrow Poets
Poem of the Week 10/11/2016

Janet Kolstein

A Stream of Alluring Things That Don’t Really Exist

Something raw and natural whirls
around the bedroom walls,
veined with deep blue, baby blue,
the blue of Naples Bay,
the blue of a jay.

There is no curse
in the fevered dreams of marble and alabaster,
timeless as light that streams though a rainbow.

Austin’s sleek young physique,
leather and wood smoke,
knit together crazy talk about matchups
and fans who smile louder
and play ball with punch.

They were all magically turned on —
drunken jet-lagged dancers in cowboy boots
ready to service every piece of art.

Couples were mirrors of desire,
buttery objects that slid
up and down against each other
into pools on the floor.

Such behavior is a form of surveillance
when just trust us isn’t enough,
and dubious passion,
a totem stained black,
ensures an absence of questions.

Walking such a fine line,
you have to live here to understand
their playground is a giant round bowl of music
open to the sky,

and contenders, hot or cold,
are sparkly, leopard-covered runners
twirling ritual above their heads.

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The Red Wheelbarrow #9 Launch at the Meadowlands Museum

Join us for the Red Wheelbarrow #9 launch at the Meadowlands Museum in Rutherford, NJ, on Saturday, October 22nd, at 1 p.m. Contributors will read their poems and celebrate the legacy of Dr. William Carlos Williams in the unique atmosphere of the permanent exhibit dedicated to the Pulitzer-winning poet and hometown physician.

The Red Wheelbarrow Poets will present the Meadowlands Museum with the complete collection of The Red Wheelbarrow journal.

Free admission and surprise musical guest! We hope to see you there.

When: Saturday, October 22nd, 1 p.m.
Where: The Meadowlands Museum
91 Crane Ave, Rutherford, NJ 07070
Tel: (201) 935-1175

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