RWB Workshop Poem of the Week – June 12

The Fence of My Indifference

Arthur Russell

When your difficulties jump the fence of my indifference
and I awaken to thoughts of you in dirty bedclothes;
when I look at my fork of food and cannot eat it

and draw ballpoint hash marks on the breakfast paper,
and say your name out loud in the shower,
and later pull weeds as if to clear a landing place for you,

but you don’t come, I recall how we ran down the ramp
to the lower level of Grand Central, and I drew your shadow
in pencil on the whispering wall, but none of that reaches you.

Today, I write the word “hand,” and a hand grows from the paper.
I draw a picture of a hand, and a hand rises from my shading.
I say the word “hand,” and my hand comes down on your shoulder

in the hospital room, and you turn from your silence to see that
I have jumped the fence of my indifference into your difficulties.

 

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RWB Workshop Poem of the Week – June 5

Eulogy for Eleanor

John Barrale

 

I was twelve; she was eight.

My mother forced me to go— her funeral mass

was a sad storybook on a Sunday morning.

The night before her coffin floated

in a forest of flowers and ribbons.

Under its closed lid, I imagined her head

resting on a satin pillow—

jewel-like, exact

and delicate.

GV—Loren Kleinman

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BOOK LAUNCH AT GAINVILLE!

The Magic Circle returns to GainVille Café on Friday, June 4 at 7 PM. LOREN KLEINMAN will be debuting her fourth collection of poetry, Stay with Me Awhile.  She also has a new poetic memoir coming out. JOHN BARRALE will be our guest host. The Red Wheelbarrow Poets’ Bring-Your-A-Game open mic will follow. $8 cover charge includes coffee/tea and dessert. 17 Ames Ave., Rutherford, NJ. 201-507-1800.

RWB Workshop Poem of the Week – May 25

Black Plastic Bags

Wayne L. Miller

Electronic Musician, 1989 through 1992
Windows API manuals © 1990
Science issues about Voyager’s Journey
Payroll deposit notices
Insurance salesmen business cards
Rock ‘Em Sock ‘Em Robots
Cancelled checks
Broken boxes labeled Dishes
Fossils
My wife’s 20-year-old teaching notes for Earth Science
Travel receipts from a Seattle conference
Playbills from long closed shows
Event schedules from Montreal
St. Louis newspapers
Broadway show ticket stubs
Boarding passes to St. Martin
My uncle’s college Physics textbook
Dad’s black metal stapler
Mom’s flea-market inventory books
Grandma’s candy dishes for Hopjes

When my brother
and I emptied
our parents’ house,
we threw out most
of what we found.

The New York Times moon landing issue
My son’s 3rd grade poster about chameleons
Newsweek’s predictions for the next sixty years
19th century dictionaries
Family pictures

My son will keep
2%. But as I work
under bare-bulb
light, I don’t know
which 2%.

Submissions for RWB #9 open until July 31st

Call for Submissions to Red Wheelbarrow # 9

Dear Poet:

Just to let you know – this year’s Red Wheel Barrow (Volume 9) is now open for submissions. We plan to publish and release Volume 9 on October 5, 2016. Our reading period ends July 31, 2015.

Our submission guidelines are simple: we’re looking for previously unpublished poems.

We also require that you’ve read poetry as a featured poet or at the open microphone at either of the following reading series venues: the William Carlos Williams Center in Rutherford NJ or at the Gainsville Cafe in Rutherford NJ at any time from November 1, 2016 through July 31, 2016.

Please note: reading at the RWB # 8 Launch in October 2015 or at the GainVille Café Red Wheelbarrow # 8 launch party does not make a poet or writer eligible to submit work to RWB # 9.

You can submit up to 5 poems. The poems that you submit do not have to have been read at either of the above venues. We only ask that you as a poet have read at either venue as a featured poet or open microphone participant at any time during the period November 1, 2016 through July 31, 2016.

How to submit: please send a e-mail with Red Wheel # 9 Submissions as its title to john.barrale@gmail.com and attach the poems that you are submitting for consideration to the e-mail as a separate Word document. The only acceptable file formats are Word 97-2004 (.doc) or Word Document (.doc.x)

Please do not paste your poems into the body of the e-mail. Please see “Format for Submission Document” below for how to present your work. We ask that you follow this format so that all work submitted will be viewed for consideration equally and promptly by our editorial staff without any delay necessitated by having to re-contact you.

Simultaneous submissions are OK. But, please notify us immediately if your work is accepted elsewhere

To keep it simple: Do not send a bio or other information at this time. Just send your poems. If your work is accepted for publication we’ll ask for that prior to publication.

Best Regards,
John Barrale
Managing Editor

Format for Submission Document

Your name should appear only once at the top of the document.

Submit each poem with a page break in-between poems , but in one Word document. Example: Percy B .Shelly

“Ode to a Moonbeam”
———————– (page break)
“Guys N’ Dollies”
———————– (page break)
and so forth…,

Use Times or Times New Roman as the font. Text size should be 12.

The only acceptable file formats are Word 97-2004 (.doc) or Word Document (.doc.x)

Attach your submission document as a file to an e-mail and send to john.barrale@gmail.com.

RWB Workshop Poem of the Week – May 18

Gracie’s Mother

Zorida Mohammed

Gracie’s mother was a “satwantee,”
a woman who was meant to bear seven children.
Her oldest child stuttered so hard
he stopped talking.

Her second child, her first daughter,
was the rag she wiped the floor with,
the daughter who came home
after her husband died
in a mysterious boat accident,
and cared for her mother
until her miserable end.

It is always their first child
that the parents cut their child-rearing teeth on.

Gracie’s mother saved me from a rabid father—
abetted by a bed-ridden mother–
wielding a solloloy belt,
and stringing mind-numbing words
that should not have found themselves next to each other,
words that fragmented sound,
threatening to alter us kids, like pigs!
for misbehaving.

The only sounds that escaped over the hibicus hedge
were water falling on dishes being washed
by long-haired maidens,
Indian songs on their radio,
and the humming of the ruby throats in the red flowers,
the hedge that encircled their yard
and edged the bandan in back,
where it wouldn’t take hold, except
in runty patches,
no matter how many re-plantings.

The old envy I harbored for this family
of such good and obedient children
choked tears out of the memories
standing in front of me.

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RWB Workshop Poem of the Week – May 11

The Parallels

Donald Zirilli

I’m crying in your shoebox.
You’re laughing in my kitchen drawer,
beneath the Chinese menus.

Your window and my window
open their curtains on a single scene,
a comet pulsing against a red moon,
its signal falling on our rooftops.
You know what the antennae receive.
I know how much the water towers hold.

When we’re shopping for dinner,
we tend to buy the same cheap wine,
a red called Montepulciano d’Abruzzo.
We’ve been to Montepulciano,
shivering outside of an old stone cathedral,
but the wine hasn’t.

The wine is only telling us
the name of its grapes,
like a flushed penitent, dizzy and proud
in the dark confessional,

and we’re the priests
sitting quietly, taking it all in.
There’s only a whisper between us,
but, facing the same direction,
we see the ghosts of each other
seeing ghosts of ourselves.

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RWB Workshop Poem of the Week – Apr. 27

Byron and Shelley A-Rowing

Janet Kolstein

The words and that voice held Shelley hostage
as the sun roamed across the liquid city
to drown blazing in a western canal.

Bridges and basilicas brokered conversation;
the younger poet’s agenda wrangled in the reeds
and into open seas where discourse caught a headwind
and sailed far beyond the shores of the lagoon.
Their slender boat, poled by song,
bobbed and slid over the dead fish stink
of last century’s Casanova
and the doge’s bygone rule.

And elsewhere, in the huddle of conversazione,
Venetian ladies and puttanas alike
might fan an afternoon’s seduction
under the aegis of the great winged griffon.

While wives and lovers simmered in the wings,
Oxford and Cambridge, spirit and matter —
Julian and Maddalo” —
two wild enchanted minds
spun a literary web of intrigue
that would last far beyond their lifetimes.

Each thought the other mad.

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GV – Electric Poets Gathering and the poetry of Miguel Wambli


MUSIC AND POETRY AND POETRY AND MUSIC

The Magic Circle returns to GainVille Café on Friday, April 29 at 7 PM. THE ELECTRIC POETS GATHERING featuring GEORGE PERENY will be the musical feature. For the spoken word feature Mark Fogarty will read the poetry of MIGUEL WAMBLI, a 17-year-old Oglala Lakota poet from South Dakota. The Red Wheelbarrow Poets’ Bring-Your-A-Game open mic will follow

GAINVILLE CAFE
17 Ames Ave., Rutherford. 7 PM.
$7 donation at the door includes coffee/tea and dessert.
(201) 507-1800.

RWB Workshop Poem of the Week – Apr. 20

The Poet’s Road

Mark Fogarty

It’s State Road 111, I think.
It’s a Sunday afternoon, just getting dark.
Everyone’s inside, and even though I like
Being alone, I miss them some.

The road starts out as a doublewide each way,
Then narrows to a single lane each way.
Soon there are no homes, just empty
Commercial buildings, looking as if
They’ve been empty since the Great Recession.
The bank repossessed, damn them,
And the mice come out at every moonrise.

I’m running along the river road
Til there’s a huge hill, hard to negotiate,
Shadowed by silent trees,
And by the time I reach the crest it’s dark,
No nothing anywhere.
No cars even to tailgate and then pass me
In a cranky roar. The river’s been empty
Since Clark’s men rowed up it.

That’s a poet’s joke: Route 111
Is in the eastern part of the country,
Clark Fork River in the west.

I make up songs as the boneyards whistle by:
Two cousins pleased I’m singing about them.
When I see the lights of Rivertown ahead,
I will sing Rivertown’s praises.

On the far side of the hill, there’s the river again.
It cheers me up, though it is dark and getting cold.
Turn right and go ten more miles!
That’s too far to go, and it’s not too far.

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