Arthur Russell
Fellatio Salon
I used to think Japanese porn,
with its pixilated penises,
wasted the strengths
that this ethnic type
perfected,
the ultra femme
squeaky female voices
no other nationality
could do as well.
Pixilating the cocks,
the coitus, as well the uniquely
directional pubic hair
of the actors,
was a shame.
But tonight, I grazed
on a long video
about a sex worker
in a fellatio salon
giving head to five
guys in forty minutes.
There were no booths.
The guys sat on a pair
of wide banquettes,
both facing the same direction,
waiting their turns
while the others
got sucked off
one at a time.
The sex worker gave
each of them her full,
coquettish attention
for seven or eight minutes.
She started them off
with a bright caress
of the face, but no kissing.
She’d help them
get their pants and unders off
then enthuse
as though she’d
spontaneously come up
with the most delightful idea:
oral sex.
She’d entered the room
with a miniature
riding-hood basket
stocked with
individually wrapped
moistened cloth towelettes
dangling from her fingers.
When she struggled
to tear the wrapping,
her smile twisted a little.
She’d clean the guy’s groin
before, and again —
more gently —
after he’d come.
She opened
a second towelette
to wipe her lips
between patrons.
What I particularly liked
about her blow jobs
was that she’d
bring a guy off
in three, four
minutes tops,
then, after lingering
on the display and swallow
of his cum in her mouth,
which did not appeal to me at all,
she would go back
to sucking him off
while his dick
was sagging down
to limp for nearly
as long as she had
on the run up, and,
for at least one guy,
the second round of sucking
had more impact
than the first.
He turned his head aside and shrieked
into his own shoulder.
The last guy
she blew
had this cool
bass baritone grunt,
and a short, thick dick
she seemed to like,
and she made
a Tootsie pop sound
each time she popped it
out of her mouth.
She giggled
in a slightly more
delighted way for him
than she had for the others.
All the guys
were super grateful
and kind of happy,
as though they’d
just gotten
a free car wash.
No money
changed hands.
They must’ve
paid outside,
like
a movie ticket.
Inside, they faced forward
and accepted her joy.
The big surprise
for me
was that after
the first few minutes,
I didn’t mind
the pixilated dicks at all.
I didn’t
need to see
the lip-on-dick contact.
I could follow
the obvious progression
and read
the implied emotion
in her courtesan face.
Pixilated
dicks show modesty.
Her spaghetti-strap
satin top—
which she hardly
paid attention to
for the first 3 guys—
dropped off
one shoulder for the
fourth guy. Her tit
came out,
but it was an accident.
She lifted it back
with her thumb.
On the last guy,
the one with the thick dick
and the baritone grunt,
both straps came off.
Her whole torso,
with its lovely clear
skin and her youth
intact
came into view.
You might have caught
an accidental glimpse of her
as you walked
past your teenage daughter’s
open bedroom door.
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Blog – http://redwheelbarrowpoets.org
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Tag: poem
RWB Workshop Poem of the Week—Feb 25, 2020
Frank Rubino
We Love Sad Songs
I play the songs she listens to over and over.
They help me get into her mind
because those songs are playing in her mind too,
and the voice they take is her voice
inside her thoughts.
The voice she hears in the songs in her mind
is resigned to loss.
So much, she hears that voice
that’s sad, that’s yearning to be soothed,
and it makes me think that,
within her private experience,
she feels this yearning, and needs someone
to reach her.
Anyone you’re talking to,
anyone you’re standing next to,
or walking up the stairs with,
on their way with you in the meek herd
through the iron passageways
under Penn Station, across the iron gangplanks
hanging over the underground tracks—
anyone with their devices in their ears like networked robots,
all of them, also, have their sad songs.
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RWB Workshop Poem of the Week—Feb 18, 2020
Jennifer Poteet
Family on Stone Harbor Beach
If only I could have joined them,
the clean-shaven father
in madras shorts who strained to manage
both umbrella and cooler in the sand.
He reached for the freckle-faced
woman beside him.
Their boy tugged at the towels
slung over her left shoulder.
They chose a remote spot near the dunes
but I saw them from the dock.
The boy helped his father secure
the beach umbrella with a hammer.
Soon, he ran, laughing, toward the waves.
The father produced a ball,
joined his son at the water’s edge
and threw it to him.
Boats bobbed in the distance
like bathtub toys;
a lazy airplane banner touted Goodrich tires.
The mother put on a straw hat
and started to read the newspaper.
This was the family I might have had.
My own father let my mother and me
drag him to the seashore once,
but wore a sports coat and dress shoes.
He wouldn’t go anywhere near the ocean.
My mother’s wet bathing suit
dripped on his oxfords. They argued,
then we endured a long car ride home, in silence.
Now, the mother removed three sandwiches
from the cooler and waved.
Father and son, bodies bronze,
stood in the sun and waved back.
Only one thing was missing,
it would have made them too perfect— a dog.
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RWB Workshop Poem of the Week—Feb 11, 2020
Bill Moreland
Buy a Book Ya Bastids!
I sell reference books.
I’m a jockey in a cubicle
galloping across state lines
and time zones.
My wobbly wagon is overloaded with
multi-volume, hard cover
carcasses,
vetted by academics.
We offer it online free with the print
and without that
digital ghost riding shotgun,
I’d have been extinct
some time ago.
The Librarians I sell to have sentries;
Patience with fangs,
Fortitude with no budget.
I call them all,
and their names sometimes suit them;
from Somerval Linthicum
at the Savannah Arts Academy
I can smell gardenias.
Tanya Faucet runs at the mouth.
Toylanda is a spoiled librarian.
But I will not cross
Sister Loretta Marie Schollhamer
(assassins also have multiple names).
In the fall I like to call
Jennifer Two-Axe
from Ichabod Crane High School.
I have a rambunctious librarian whose hobby
is as a jammer
for the Bay City Roller Girls
in the local Roller Derby League;
she elbows her way through the pack –
on her back is stamped her pseudonym,
‘Sigourney Cleaver’.
Their breed, their kind is fierce and territorial.
The librarians’ heart beat as a pair of lions.
The American Library Association
were the first to push back
against the Patriot Act and
“…opposes any use of governmental power
to suppress the free and open exchange
of knowledge and information
or to intimidate individuals
exercising free inquiry…”
Integrity like that you won’t get at Google.
In fact, they’ll sell it, they have a government contract.
The Black Caucus of the American Library Association
threatened to boycott our
Notorious Lives set
if we did not expunge O.J. Simpson
from its cover.
Editorial replaced him with Barry Goldwater,
and Barry Goldwater High School in Arizona refused to buy it,
a worthy exchange.
Our reference title on banned literature
was itself banned
from a school district in northern Virginia
of all places.
That is a ribbon we don with pride.
Once, a librarian whose building
was demolished by Hurricane Katrina
admonished me.
I told her our donation of a large set
“was nothing,
just books.”
And through tears she politely,
firmly, as a librarian might,
sir-named my ass;
“When you scoop up books
with a flat shovel,
and dump it
in a muddy wheelbarrow,
it’s more than ‘just books’,
Mister.”
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RWB Workshop Poem of the Week—Feb 4, 2020
Frank Rubino
DJ
I walked out the 33rd street side of my building,
across the street for lunch, and felt, “We’re all soldiers.”
I see more and more homeless people in Penn Station camped in the passageways,
behind the departure board near track one where there’s a wall they go behind.
Maybe the cops are letting them stay. The cops are an army.
One homeless man, whose stomach is bare even in winter
because he wears a skimpy cropped shirt,
lets us pass around him in coats and gloves.
Are we an army, too?
I know the Amtrak cops in Penn Station because I hit my head
on a fire extinguisher, and we chatted while they waited to see if I had a concussion.
I met DJ waiting for the Boston Amtrak.
He was just out of Rahway jail serving twenty years.
“I am not that kind of person,” he said, “but I will kill you if you fuck me.”
I said, “DJ, if you always react like that, you’re going to be ruled by anger.”
“You’re right,” said DJ. He asked could I help him get a train ticket to Camden,
to get back with his ex-wife.
I don’t know if she knew he was coming.
Later, I considered whether I’d done a good thing
giving DJ twenty bucks.
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Blog – http://redwheelbarrowpoets.org
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RWB Workshop Poem of the Week—Jan 28, 2020
Jennifer Poteet
My Mother Wanted a Daughter So Much
She took off her silver earrings first,
and pierced the silicone cup of her diaphragm
with an earring post,
and stood, naked in the bedroom.
She skipped the spermicide, too,
while she waited for my father.
He didn’t want more children.
There were two already
from his first marriage.
What if my father had stopped to look
at that little lanced disk,
dormant most of the time
in a pink silk pouch
on the bottom shelf of the linen closet?
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Blog – http://redwheelbarrowpoets.org
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RWB Workshop Poem of the Week—Jan 21, 2020
Out of Tune
Tierra Sherlock
Whenever you came over,
you bee-lined for the guitar at the foot of my bed.
I tried to learn to play when I was younger.
I spent hours sliding my fingers across the steel strings
and pressing down so hard that they bled.
We laughed at how small my beginner guitar looked when you cradled it.
You said the quality was shit,
but you still reached for the pick you always carried in your wallet.
I watched how easily your fingers found the frets,
how you could feel for the right notes even with your eyes closed.
The strings never made a deep impression on your skin,
your fingers never bled.
The guitar hasn’t been tuned
since you stopped coming over.
I was never as good as you at letting the calluses form.
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RWB Workshop Poem of the Week—Jan 7, 2020
Paul Leibow
Death’s been good
Death has been good to my neighbors.
I watched as they pulled their new Jag,
it’s gleaming black lacquer skin, out of the drive.
I notice the chill in the winter’s sun,
a thaw off the rear defrost
clearing horizontal slats on the back window.
They own the funeral home on Main Street
where I went to pay my respects to Sophia’s relatives.
The police managed the lines around the block:
they form that way when they die young.
Breast cancer took her at forty-one.
I remember the first time Stacy, her beautiful sister,
introduced us on Palisades Avenue.
Sophia looked stunning.
I never fully understood why I felt that way.
I remember working with her in the art department
at Zip-Five books.
I felt awkward when she was passed over for a position offered to me,
the art director’s job I didn’t deserve nor take.
Life can be cruel that way.
I was hoping she might have been offered the position after I left.
I don’t think that happens when your boss is sexist.
I recall the time she came over with her husband.
We all were shocked after her daughter fell and bit her lip.
Sophia was casual, holding the blood-drenched napkin
on her daughter’s mouth as she stopped the crying.
Death already very confusing. Is more so when premature.
I never properly processed what happened.
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RWB Workshop Poem of the Week—Dec 17
MARK FOGARTY
I BECOME A CHARACTER IN A CHEKHOV STORY
(for Fiona Conway)
In the first story I ever read by Anton Chekhov,
A young boy moves away from his grandfather in Moscow
To some unfathomable part of Russia six time zones away.
The boy misses his grandfather, so he decides
To write him a letter. Once he does,
He addresses the envelope “Grandfather.”
But before he puts it in the mailbox, he thinks again,
Maybe that isn’t enough for the postman,
And adds “in the city” underneath.
The woman who is going to marry my nephew
Sent me a note thanking me for an engagement present.
She must have been interrupted between name
And address. The address is correct, and her note
Was promptly delivered to me. But she addressed the top line
Only to “Uncle Mark.”
I’m old now, officially, and I hate it
When people move away, when the Dirt Club
Is replaced by a place that sells cleaners.
But I’m also the kid, age 5, being driven away
From the house where I lived with my grandfather,
Which had a breakfast nook and a delivery hatch
A small child could easily wiggle through,
An attic full of wasps and a sharp Knights of Columbus sword,
And an empty lot behind the house which in the Murmansk winters
Of midstate New York could sustain a snow fort for weeks.
My grandfather ran a furniture store.
The doors in the house were solid wood, he knew about wood.
He hung a Tiffany lamp in the breakfast nook,
Which was narrow enough you had to like the people you crowded in with.
It was only after I moved away I learned to be claustrophobic.
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RWB Workshop Poem of the Week—Dec 10
Frank Rubino
Like Jack Did
The level of conversation all the workday long
is tech, tech, tech— it just opens a void in me.
The sad distance I first saw drawn
in the comic book panels of Jack “King” Kirby
has been my sorrow throughout my career.
Across his galactic splash page in Kamandi 36,
and throughout his work in Fantastic Four,
he spread mural-like, between one planet
and another, the apartness I now recognize
in the black windows whose candy-colored computer code I write.
On my dark Samsung monitor,
my typing looks like Christmas lights from Mars.
If I could see across space and time like Jack did,
I would see Kolomatsky’s young clean face on Second Avenue,
outside the bodega where we talked. We talked
on the church wall about our girlfriends one spring afternoon,
and the way one can hook one’s arms around their thighs,
while one’s face is in their muff. We loved those girls
for letting us hook our arms around their thighs,
like wheelbarrows we were dumping.
(Wonder if I was drinking my usual Tropicana orange juice.)
Whenever I break from work, and feel as empty as code,
I wish I could kneel down in front of my woman and hook my arms
around her thighs, and when she lets me, and when I do,
I have the feeling I’m crossing space and time,
like Jack did.
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