RWB Workshop Poem of the Week – October 3

Poem of the Week 10/3/17

Russell Francis

More Steam

In the “Heart of America-66” I, the brigand, tell my tale
in Pirates Cove; near Robins Reef, they sing to Valhalla.
I, brigand, tell my tale of you.
Those were times told by few here; I toiled.
Sweat-stained hands hard on course and stay the helm.
America, you sweat me hard those years. Heat.
The heat is hot, your engines roar, more steam!
If this place be Hell, if Hell I live, more steam!
Boilers pant and mud plates scream, and the capt’n rings down.
More steam! I hold the helm and answer true, more steam!
Men go mad, and death takes its due, and engines roar all pride
taken to Valhalla.
For pride, I broke your back; I broke your heart; I stole your soul.
More steam!

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RWB Workshop Poem of the Week – September 26

Poem of the Week 9/26/17

Della Rowland

Riding With Will

In a fever,
we cram into Will’s little red car —
him, Martha, and me in the front seat,
Sarah and two others in the back —
our squeezed-in elbows poking out the windows,
bound for a cowboy store where he’s sure
we’ll buy a hat, maybe boots.

Will pops the clutch,
leaving babies and children behind, playing
in the yard, all over the yard,
patting soft dirt into piles,
making perfect sentences as only children can,
scooped up by grandmas and uncles and who-all else
when we lurch off fervently,
bucking down the driveway
toward our hilarious destination only Will knows where
while the radio blares “Listen To The Mockingbird”
and the wind rolls through the rolled-down windows
and our waving hair,
and Will hunches back and forth over the tiny steering wheel
whooping and swerving down field-flanked roads,
beating the big trucks to the next intersection
every time.

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GV – It’s Here! Red Wheelbarrow 10 Launching

The Red Wheelbarrow 10, with the work of more than 50 writers, is launching at GainVille Café on Friday, Sept. 29! We will have an open reading from poets in the anthology, and since it is our 10th anniversary issue, you do not want to miss it! We’ll start things off with musical guest THE ELECTRIC POET GATHERING featuring George Pereny.

An $8 cover includes coffee/tea, dessert

7 PM, GainVille Café
17 Ames Avenue
Rutherford
201-507-1800

RWB Workshop Poem of the Week – September 19

Poem of the Week 9/19/17

Milton Ehrlich

The Woman in a Negligee

wears an elegant outfit,
decolletage, with a thigh-high split.
I’m almost 17, making a delivery
during the war for a local drug store.
She pays me with a big fat tip,
invites me in for a yummy taste
of blueberry pie she’s just baked.
She tells me her back is in pain—
do I have time to give her a back rub?
Her stereo is ablaze with the vibrato
of Edith Piaf while she offers me
a sip of homemade wine, brewed
by her husband before he left.
I sit on her sofa and wonder:
Is this a fantasy I’ve had on my delivery route?
Are we both phantoms in a mutual dream?
We both seem to savor the mystery
of the perfect moment—no dialogue necessary.
My body and soul is willing
in more ways then I care to say.
It’s the very best blueberry pie
I’ve ever tasted, before or since.

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WCW – National Translation Month: Martin Woodside

Wednesday, September 6, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Martin Woodside is a writer, translator, and founding member of Calypso Editions. He spent 2009-10 as a Fulbright Fellow in Romania. Martin’s work has appeared in numerous literary journals, including The Kenyon Review, Asymptote, Guernica, The Cimarron Review, The Brooklyn Rail, and Poetry International. Martin’s published five books for children, a chapbook of poetry, and a full-length collection of poems, This River Goes Two Ways. He edited Of Gentle Wolves, an anthology of Romanian poetry, worked with MARGENTO to translate Gellu Naum’s poetry for the English language collection, Athanor & Other Pohems, and contributed to Ruxandra Cesereanu’s anthology of contemporary Romanian Erotic Poetry, Moods & Women & Men & Once Again Moods. For more, visit martinwoodside.com.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – August 1

Poem of the Week 8/1/2017

Claudia Serea

Ode to beer

Beer the color of summer,
dusk-colored beer
with golden feet
and foamy beard,

blue-collared beer,
honest
and filling,

loud,
and gregarious,

and cool,

here’s to you.

I love you more than wine
because you’re cold
and clear,
waiting on ice
on a hot day
with, or without shade,
with, or without a lime,
or a beach.

Because wine is pretentious
and water too plain,

and you’re humble,
and taste of grain.

Because nobody writes you odes
although you buzz,
pop, and fizzle,

and rise from yeast
like life.

Because your name is simple.

Because you hail from Mesopotamia
where Gilgamesh drank you
with Enkidu.

Because you’re best sipped
in the haunts of the Old City,
on a terrace in Bucharest
or Madrid,

with a brother
or best friend.

Here’s to you, old god
who takes the tiredness away
after a long day walking,

who takes the years
we’ve been apart away,

and makes us young,
laughing,
happy again

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NYC Poetry Festival 2017

On July 29th, 2017, the Red Wheelbarrow Poets read at the NYC Poetry Festival on Governors Island.

 

Wayne Miller
https://youtu.be/Si_2L5BGMgs

 

Stuart Leonard
https://youtu.be/_nEXtJP-ohk

 

Zorida Mohammed
https://youtu.be/Ihl1wM-xF9g

 

Claudia Serea
https://youtu.be/7LtLZYH-UWU

 

Arthur Russell
https://youtu.be/S5gm_nnewQg

RWB Workshop Poem of the Week – July 25

Poem of the Week 7/25/2017

Della Rowland

Some Moment Shining As Your Hair

What came together,
some moment strong and careless as your arms,
to overthrow my admirable adequacies?

What perilous relinquishing,
some moment green and hungry as my fears,
allowed desire to be my need?

Some moment,
small and covert as your moustached mouth,
made a song my heart beats out
in its unmeasured time,
despite the truth —
relentless as suspicion,
resourceful as a fantasy —
that all its red and silver lyrics
would both warm and disquiet you.

I think what came together once,
some moment shining as your hair,
will never wane
and will require surveillance,
a constant steeling against
some moment blind and glorious
as your eyes.

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WCW – Pamela Hughes

Wednesday, August 2, 2017, 7 p.m.

Williams Center for the Arts

Plus the words of William Carlos Williams
and open readings from the floor

Free

Pamela Hughes is the editor of Narrative Northeast, a literary and arts magazine that supports diverse voices and visions, the arts in New Jersey, and the environment. Her full length collection of poems, Meadowland Take My Hand, was published by Three Mile Harbor Press in January of 2017. Her poetry has appeared in Literary Mama, Thema, The Paterson Literary Review, The Rutherford Red Wheelbarrow, The Minnesota Review Isotope: A Journal of Science and Nature Writing; The Brooklyn Review, PANK Magazine and elsewhere. She has an MFA in Creative Writing from Brooklyn College, where she studied with Allen Ginsberg. Visit her at http://www.narrativenortheast.com or www.pamelahugheswrites.com.

Greenwood

The cold this first fall
Like when we first fell

In love, the light still
Warm but the wind chilled,

Like a fresh cube dropped
In the great blue drink

Of sky, stirred by some
Round god for us edged

Now to bear it, life
On life, as we knifed

Through thick groves of graves
In search of a way

Out, the gate now closed,
Our steps all but one.

Contact: John Barrale – john.barrale@gmail.com

RWB Workshop Poem of the Week – July 18

Poem of the Week 7/18/2017

Arthur Russell

Improvisation

I love my guitar, but I haven’t learned
to improvise.
However you conceive
of boundaries on the other side
of which something like my facility in speech
would begin to emerge in music, on guitar,
I’m just a trained monkey.

I can muck around with volume, rhythm,
syncopate a song, but when it’s my turn
to take a solo after a chorus,
the scales that match the chord elude
me, or I need to start at the tonic
or I’ve lost the beat, which is so not me,
or I simply have nothing to say.

I stopped writing this poem
the last two days to take out my guitar. I can’t believe
I would need to write a
poem
about a problem that clogs my music.
That’s like complaining to your mom about a bully.

I took out Jobim’s Corcovado for which I have a nice arrangement.

This doesn’t sound like poetry, does it?

I figured out the keys
it moves through, worked the scales in those keys up
and down the fret board,
and found snatches of melody to dip
into when I got to those bars.

God, this is killing me; it’s so embarrassing.
My music-literate friends
would read this and say: “What an idiot!”

After two days, I had nothing but
the arrangement I’d worked out six years ago.
Then I went back to this poem.

I hate
the way it feels to hate a thing I love
because it won’t give me the thing I want from it
the most.

That last stanza
gave me no trouble.

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